Sea Waves

How shall we describe the world?
With what shall we compare it?

The world is like a sea
over which the wind blows.
Its ripples chase the wind and one another,
‘I am a standing wave!’
‘I am a running wave!’
‘This sparkling expanse is our world!’

None know of the depth beneath,
and little of the wind above,
or unbounded space and time
where other waveforms speed.
All fear the shore where they will die.

They are each a focus of the whole:
the depth below, the wind above,
the sea, the shore, the great beyond;
that symphony in which their echoes carry,
which makes the world ring,
where their souls sing
in harmony.

Harmony

On a clear still morning beside a pond
with clouds and trees mirrored in its face,
and rushes, and a lonely fishing place,
I watched a single dewdrop fall.

It fell from a leaf tip, back into its element
like a tiny buddhist soul.

Lost, I thought, lost in its destiny,
one with its own infinity
and all is still again.

And yet the surface trembled with its ring,
spreading, shimmering the clouds, the leaves,
the rushes and the fishing place;
spreading, reaching for the farthest shore.

And was it felt in the darker depths?
and echoed in that tiny ‘plop’ in my ear?
and in the air, and in the woods,
spreading forever to the farthest star,
seeing eternity
through the eyes of God?

Our World

What is our world made of?

Hills and mountains, rivers and seas.

What are the seas made of?
Water and waves, salt and sand;
sand that goes between your toes,
salt that gets in your mouth and nose,
waves that wash on the beach and rocks,
water that gets in your shoes and socks.

What is the water made of?
Rain and rivers that run to the sea
for fishes to swim in like you and me,
for crabs that creep and gulls that cry
and creatures that never see the sky.

But still I wonder, now and again,
the water that comes in the rivers and rain,
that runs in the gutter and down the drain,
that splashes in brooks with a tinkling refrain,
and flows to the sea in the sunshine again –
what is it made of?

Tiny atoms too small to see
build all the world and all the sea.
They make the clouds that float in the sky,
and little children that wonder why.

Show me the atoms I cannot see.
What are they made from?
Where can they be?

Sticks and stones may break your bones,
bricks and beams may build your dreams,
but words, words…
Can one Word build a uni-verse?
a uni-world from a uni-Word?

Show me the atoms I cannot see,
Of what are they made?
Where can they be?
The sea is made of waves.
The waves are made of sea.

And the particles, the particles,
the tiny, tiny particles,
are each the focus of a wave
wider than the widest sea
that stretches through all infinity
and shimmering, makes you and me
and all we feel and all we see:
a universal harmony.

Great and Small Wonders

 
Can you discern the true seat of your soul?
Or say of what your true self is composed?
Give reason for your life? or know the way
In which the essence that is you arose?
Though close confined in flesh and bones, your eyes
Observe the turning world and endless skies.

Enclosed, your soul in seeming prison lies,
Restrained by flesh, particular, within
God’s infinite, eternal universe.
Our boundaries (self stops where else begins)

Show only what our senses will let pass.
Until you know what links your soul to sense
Make no decision as to here or hence.

A boy catches the Sun in a burning-glass. Its image dazzles his eyes blackening a paper sheet; smoke wisps curl, a tiny spot takes fire. A burning glass of photons, tiny portions of the Sun’s heat, so many they dazzle his eyes and light the paper. There are more photons in a burning-glassful of Sun than there are glassfuls of Sun’s rays shining on Earth.

At night; the boy lies in bed gazing out at the sky. Photons, filtered by the clouds, the atmosphere, his window and his eyes, focus in his eyes. He sees small wonders.

He is a marvellous harmony with the photons. Each photon is a harmonic of the whole cosmos and deep calls unto deep. The clouds break. He sees stars, planets, galaxies, the Milky Way. Photons are distorted, focussed and refocused by the gravitational pull of stars, galaxies and galactic clusters, by dark and light matter and the Cosmos itself.

Like a violin string producing harmonics and sub-harmonics, the music of the Cosmos is filled with waveforms and sub-forms. We call them fundamental particles but particles are just our name for the focal points of these very faint, weak waveforms. Although weak, the extent of each wave is as vast as the Cosmos itself. A photon is a fundamental harmonic, one of the smallest notes in the cosmic harmony. The Cosmos is a waveform with many interplaying themes. The burning-glass and the boy are unique and special themes; symphonies on the cosmic scale. It does not matter how many or complex the harmonies may be.

The boy, the burning-glass, the Sun and the farthest star, his body and brain, every cell, sinew and neuron, are part of that harmony. The workings of the mind, emotions, logic, faith, hope, love, may all be explained by analysis of the brain. Not because the brain is all there is but because it is a network of harmonies played on the greatest scale imaginable. Some say that the Cosmos can be examined solely on its own terms; others that it is a wonderful dream in the mind of God. Both may be right. Half a picture may seem complete in itself but it is still half the picture.

Lying on his bed the boy breathes deeply; fascinated by the stars. He listens to his breath. There are more atoms in a lungful of air than there are lungfuls of air in the atmosphere. Every breath since men walked on Earth disperses throughout the atmosphere. Any later breath will include some atoms from it: the dying words of Julius Caesar, the Beatitudes and Hitler’s wartime speeches; the breath of kings and commons, saints and sinners, old, young, hale and dying.

Plants take in carbon dioxide and release oxygen. They fix nitrogen and other elements necessary to life. The same distribution goes on in soil and growing things as his breath in the atmosphere.

He takes part of every living thing and person from the beginning of life on Earth with every breath and every mouthful. He is involved in mankind from his birth and in every moment of living.

Earth is older than men. The boy lives in the presence of immense antiquity. No breath of his, of kings or commons, Moses, Abraham or Mahomet went into the Earth’s making. Men have raised up its stone at their most sacred sites, worked it, used it and admired it. But they are not part of it. It is part of them. The constituents of the boy’s body, like those of the Earth, were not formed on Earth but in stars and supernovae at remote times and distances. We are made of the ashes of dead stars.

A picture may seem complete and yet be part of a greater one. Why is there something rather than nothing? Why are men so passionate about the way the world is if it means nothing? Should we listen to those who quote Macbeth: Life is a tale told by an idiot, full of sound and fury signifying nothing? Or to a still, small voice that tells us: ‘All things were made by Him, and without Him was nothing made that was made.’?

‘Before Abraham was, I AM.’