The Eternal Possesses Time

As in the poem ‘All the Time in the World
the nature of an eternal ‘Other’
that pervades space and time,
cannot be defined in spacetime words,
though they are all we have.

Something other than time and dimension,
pervading space and time
but independent of them,
needs words outside our range.

So how can we talk or think about it?

We do not use language as much as we think.
Multilingual people are sometimes asked,
‘What language do you think in?’

Their answer is often delayed;
rolling language thoughts around,
they usually give an answer
set in the terms of the question.

But many thoughts do not use language
though we may not notice it:
sunlight through leaves, the flight of birds,
fatigue, frustration, longing,
the body language of a friend,
and expressions on a face,
do not need words.

When we communicate with others
our words have personal qualities,
‘qualia’, arising from our past life.
A mountain, a falling leaf, a knife,
each have qualities which differ
from one person to another.
No two people have the same past,
the same experience of any thing.
Your words, my words, have different qualia,
different emotional tones.
You hear my words,
spoken out of my past
and interpret them out of yours.

I heard of an itinerent priest
who preached in town and village churches
when local vicars were away.
It could be several churches on one day.
He joked about breaking the speed limit.
Those listening –  drivers, non-drivers,
who had known or not known past accidents –
would have different thoughts about speeding cars,
different qualia,
different reactions.

But we can understand in some degree
the qualia of those different groups
by extension of our own.
Our own qualia can be enlarged
by poetry, story, music,
by the emotions of others,
or our ideas of what they might be.

Physics, mathematics or words of spacetime
cannot define or describe the Other,
but emotions give a feel for it.
Physics, mathematics and words
do this when they stir emotions.
Some find beauty in a formula that others find in music.

That feeling of beauty,
rather than formula,
rather than musical notes,
is close,
perhaps as close as we can come,
to the language of the eternal.

The word eternal, ae-ternus,
simply means lasting an age,
an infinite extension of time,
but emotions tell us it is more than this,
something more than the word,
more than mere length of time.

The Eternal possesses time.

 

Why is there Something rather than Nothing?

This is for those who like trying to imagine travelling to infinity and beyond! It is a sort of sequel to ‘Eddies in the Stream‘.

Why is there something rather than nothing?
Something is something we can understand –
things are all round us, but why are they there?
Why is there sunshine and birds in the air?
nothing is no-thing, and this seems absurd,
nothing is something for which there’s no word.
Nothing is absence, and that is something;
no song for no singer that no-one can sing.
What are those things that just cannot be?
Just between you and just between me,
nothing is something, and that cannot be.

Why is there something rather than nothing?
Is there a Maker that calls us to be?
an infinite-finite source of all being?
or multiverses to infinity?
Religion nor Science have answered the question,
‘Why is there something where nothing could be?’

Nothing is no-thing, and that is a problem,
it describes both a void and things that are not.
I search for a word that speaks not of things,
that does not suggest an absence of what?
for a void is a something, and an absence is too,
and nothing is something that just will not do.
I search for a word and zilch is no answer;
I search for a word and get diddly-squat.

Why is there something rather than nothing?
Why is there something where nothing could be?

There is no word for nothing
that does not mention things,
or speak about the void
the absence of them brings,
then nothing must be something
and so we talk in rings.

So surely it is possible,
and some may well say probable,
that something so intangible
can simply not exist.
Then nothing is a no-thing,
an impossible-to-go thing,
so surely there is something
rising from this mist.

Space and time and energy
are something we can feel:
eddies whirled in spacetime,
an expanding, whirling reel;
a dark, flowing energy
with eddies of its own,
spinning, ever spinning,
in this turning cosmic wheel

And those we see and know
as fundamental particles,
atoms, light and molecules,
flying to and fro,
may be eddies within eddies,
that draw the flow around them;
eddies in those eddies.
that make this cosmos grow.

Eddies bend the space-time flow around them.
Spacetime tells the eddies how to move.
Something more than nothing is no problem;
but something we can wonder at and love.

I have a sort of feeling that your mind like mine is reeling.

– – –

Scientists often say the language of the universe is mathematics, so is number an essential thing? an irreducible something, the reason for ‘something rather than nothing’? Perhaps, perhaps not.

We cannot explain numbers to children without words; sometimes lots of words. As children learn numbers in words, so students learn mathematics – plus, minus, times, divide, integrals, calculus, matrices, in many, many words. The most complex mathematical concepts, cosmic infinities, sub-atomic minutiae, could probably not be said in the words of a mathematician’s lifetime. A neighbour in Sue’s Birthday Bunnies called numbers the collapsed waveforms of words, a shorthand for the infinite words that might define this universe.

They take out all the hassle.

But in the beginning was the word.

There is another word for which we have no word. See you in two weeks.

Elpee?

Back with a charged computer and taking up where I left off, I imagine many of you spotted the theme of my last post ‘Elpee!’ was Planck’s Length, L­­­p­­­ and the strange forces that seem to bind the universe together at the same time as preventing it from collapsing in on itself.

You did? Wow!

Anyway for those who might not have done:

The concealed theme in the poem is the four fundamental interactions or forces of Quantum Mechanics (QM): electromagnetic, gravitational, strong, and weak, which make up our universe. They can be hard to understand, as is QM generally, so I pictured them as a flock of starlings.

Electromagnetic radiation is the colours thrown between the sky and starlings wings (by which they know one another and their world).

Gravity is the distant longing, drawing the flock as one (Newton’s apple to the earth).

The strong interaction draws mate to mate, binding families and roosting birds into groups (atoms, molecules, compounds, you).

The weak interaction is the short range interaction between birds, stopping them crashing together but not strong enough to break up the flock (stabilising those groups drawn by the strong interaction).

LP is Planck Length. A starling’s wing-flutter and flight swirls make its position, size and velocity uncertain. If there were no limit to this, if their size could be infinitely small, the flock could collapse or evaporate to nothing. Max Planck, faced with a  problem involving radiation, found there was a limit to the smallness of things; a fundamental length or grain size, even to space, below which the laws of physics will not take us. This length is known as Planck’s Length, or LP, the smallest distance that can be measured.

Because length is effectively granular in this way, so are all those things that depend on it. Speed of travel is length (distance travelled) divided by the time taken, so time is granular in the same way; it literally ticks on in tiny portions of Planck Time (Tp), the time light, the fastest thing in the universe, takes to travel one Planck length. Mass, temperature, and electric charge also share this granular nature.

I hope you find this difficult to follow because physicists do. There is something very strange going on – a conflict between the laws governing the very small and the very large. The sums do not work. When particles, which are seen as the focus or points of action of waves of energy, come together en masse, the Earth and Moon, or an apple falling from a tree, their gravity bends and contracts the space between them and brings them together. Physicists can calculate the mathematics of this and define its laws, but these same particles on their own, in their own tiny inner space do not follow these laws. The laws we find governing the very small and the very big do not agree. Somewhere we have got it wrong.

No poem this time, but I am working on it. A murmuration of starlings is one way of looking at the cosmos with the starlings representing particles of matter in fields of energy. Each starling or particle is a focus or point of action of its field of energy.

There may be another way, a quite different, far more relaxed view, in which starlings are replaced by ‘Eddies in the Stream’ which I shall post in a couple of weeks. If you want to get ahead of me there are two fun and interesting ‘You Tube’ illustrations by ‘Physics Girl’ Dianna Cowern here and James Dann here. If you watch James Dann’s setup closely there is something to be seen that he does not mention.

See you in two weeks.

Elpee! Elpee! Elpee!

First, I am sorry it has taken so long to recover (if we have recovered!) from moving house; nevertheless the title above is not a whoop of celebration but clue to a concealed theme in this poem:

Elpee! Elpee! Elpee! the starlings cry
wheeling home in evening sky,
the folding flock outspread and high
seems beautiful and black.

Beauty yes, and black below,
but could we fly, then we would know
the colours that the sky can throw
on wings that throw them back.

And could we see with starling’s eye
the beauty of the fading sky
fall on each feather, wing and eye,
then would we learn, and would we sing,
Elpee! Elpee! Elpee!
and would we wheel and would we wing
the cosmic dance, the wheeling ring,
of birth and death and everything,
nor know the reason why?

A distant longing draws the flock
from city roof-tops where the clock
chimes evening hours.
A strong force binding mate to mate,
which narrows wider gaps;
a wary, weaker sense prevents,
when bird flies close to bird,
the flock’s collapse.

Each fluttering bird a wheeling heart –
a fundamental part – in one great family,
Elpee! Elpee! Elpee!

Sadly I can explain none of this today as I am sat at a fading computer far from home unable to recharge it. I will just say this, it is a picture which is better seen from another direction entirely: eddies in the stream (to follow).

Marius’ Mules

‘Lent’ comes from an Anglo-Saxon word,
lencten meaning springtime,
lengthening days.

As winter stores run short,
the last tightening of the belt
before the earth sprouts again
and birds return,
we look to seed-time.

Buried seed rises, life resumes,
seed-time leads to regrowth,
as regrowth leads to harvest,
and God who gives the seasons,
turns seed-time celebrations
to the greater one of Easter.

We mark this time of self-denial,
the desert of temptation
and the journey to the cross,
with Jesus’ words:
If any would be my follower,
let him deny himself,
take up his cross and follow me.

Then they heard Him differently,
not as we do now, but then.
Now we sometimes change the words
to include men and women,
but His listeners thought of men.

They saw lines of Roman soldiers
with crosses on on their backs,
their nickname, ‘Marius’ Mules’
from the general who led them
and made them wear cross-shaped packs
weighing over sixty pounds.

The pack was called a sarcina,
a military marching backpack,
but in their slang it was furca,
the word for two pronged forks,
for crucifixion crosses and punishment yokes;
furcifer was slang for jailbird,
gallows material.
All a man needed was tied, or hanged,
on his furca,
his cross.

There is more.

Soldiers can’t be individuals,
self-seekers or go-getters,
but a troop with a leader;
holding together as one.
Legionaire, centurion,
cook, quartemaster,
introvert, extrovert
or barrack-room lawyer;
soldiers are part of a company,
one esprit-de-corps,
watching each other’s backs,
carrying their full packs,
denying personal wants
for the sake of the legion,
following the one in charge.

We know our King was crucified,
His hearers, then, just heard the call:

If any would be my follower,
let them deny themselves,
take up their cross and follow me.

What was Jesus saying to that first century crowd? Many were waiting for a Messiah, a warrior in Joshua’s mould, who would drive out the Romans and restore Israel and David’s throne. Here was a stirring speaker with Joshua’s Aramaic name, speaking in soldierly language, calling for followers. Was He speaking to them?

We read His words knowing He was crucified, and interpret them differently, but so would his first-century listeners just two or three years later. It is as though He was not talking to that crowd, not then, not there, but to that crowd as it would be when His work was done.

John (ch.6:15) described how, having heard Him speak, with their high expectations they tried to force Him to be their king. Instead they gained the Servant King who so loved the world that He came as His own Son so they might have eternal life.

We often only understand God’s words and actions after they are fulfilled.

Delirium on entering a Dark Tunnel

Darkness.
.      Swirls of colour.
.           Fear – past and present fear.
.             Whirling colours, flecking in the dark.
.                    Fear of the darkness?
.                              Or the light?
The Voice,
.     soothing, calming,
.         shadows fold, light fades,
.           one into another,
.              into another,
.                    calm, quiet,
.                                    sleep.
.     Light,
.            the Voice,
.                      movement, twisting;
.                                gibbering swirls, sound and light,
.                                                          being lifted, turned;
.                                                Heat, other Voices,
.                                      pain.
.                   fear,
.        pressure,
.     the calm, protecting Voice;
.     warmth, calm, the Voice,
.        folding, fading light
.           into dark,
.                  gentled
.                            shades;
.                                      sleep.
.                   Darkness.
.     Flecks of light,
.shapes, sounds, fear.
.Fear in the Voice, fear and concern;
.Pain in the Voice; fear in the Voice,
. yet it helps, it helps.
.      Pain, the Voice –
.         safety,
.                dark,
.         comforting dark,
.      a near and far tunnel of dark.
.      Fear, sounds, drowning the Voice,
.         burning in the darkness,
.            fearful light,
.                  a tunnel,
.                              light.
.     Pain,
.           light,
.                 brightening, not paling.
.                           Loud meaningless sounds,
.                                           painful light,
.                                                      the tunnel
.                                                                      leading on,
.                                                                                             away.
.      Loud meaningless sounds,
.         pain, loss, pain, distress;
.            the Voice crying – more crying.

“Mrs. Smith, you have a beautiful baby boy.”
.     Warmth, the Voice, comfort, safety;
.                 The Voice has loving eyes.

Saturnalia

‘During my week the serious is barred,
no business allowed,
drinking and being drunk,
noise and games and dice,
appointing of kings,
feasting of slaves,
singing naked, clapping of tremulous hands
and the occasional ducking of corked faces in icy water.’
–           Cronos, in ‘Saturnalia’ by Lucia of Samosata, 167-175 AD.

When curtained night is closest drawn
and daylight hours are short,
the Yuletide solstice warns of frost
and summer days are long since lost,
and gloves and scarves are bought.

When autumn’s leaves are blown away,
when longest night means shortest day,
and winter deepens, cold and grey,
and dark clouds veil the dawn,
then, in our coldest, darkest times
we light our days with song;
our glasses raise among the show
of holly, fir and mistletoe,
to cheer the days along.

And did you see our seedtime feast?
and in those measures hide your yeast,
and see the harvest grain increase,
and wine-press autumn’s later lease,
a glowing, golden song?

Saturnalia’s grinning orgy,
the High Lord of Misrule,
the prancing, dancing Feast of Fools,
our mingling right and wrong?

Our pagan village feasts and fétes
that close-pursed lips and high-held hates
see as our faults and so mistakes
the courage in our song?

And did you see our courage then?
your children singing in the dark?
And did you give your heart to them
who loved the One they did not know;
and bowed to You they could not see
and gave another name to You?

Did you not know Me then,
my children, singing in the dark?
I who made your solstices, your moons,
who threw the wheeling stars,
the tides, the seasons, day and night.

You who sang the seasons,
named turning stars and constellations,
saw life’s spring and summer,
its autumn and its winter
the zodiac in life’s zoè,
its seedtime, its harvest,
did you not know Me
and give me many names?

I AM your Father, I AM Mother,
your Sister, your Brother;
I AM Love and I AM laughter.
When My erring son or daughter
turns away and strays to danger.
Though I grieve and there is anger.
Yet in Me there is no turning,
no wrath nor fierce burning,
simply longing and a yearning
watching for My child’s returning.

Though you nailed me to a tree,
from death I’ve broken free,
and follow you through hell
to bring you home.