atoms

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A Hard World

The table pains the falling fist,
fragile glass resists the wind in the wind-eye.
The open sky bears birds on wings,
leaves blow, turning, overhead,
whirled under the cloud-race.
Air I cannot see cools my face,
warms my breath.

A million billion atoms,
particles beyond number,
each an uncertain focus,
a rippling point of action.
Their seeming infinite waveforms,
their flowing, ordered disorder,
are this cosmos.
Cosmos, an ancient word for order,
universe, uni-verse, one-Word,
with echoes rolling, calling,
from space-time’s first beginning.

But why are hard things hard
if made of shimmering space?
a mere focus of waves?

Why not?
The particles in the table
are focussed, no more, no less,
that those that jarred in my fist.
Can mere waves hit hard?
Ask a tsunami.

And when a tsunami dies, and the sea is calm,
where is it?
To every action there is a reaction.
The tsunami’s passage, its strike and fall,
the deaths it shares in its own,
echo and re-echo in the sea, the land.
The whole earth,
the whole cosmos,
rings with its toll.

Send not to ask for whom the bell tolls,
it tolls for thee.

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Our World

What is our world made of?

Hills and mountains, rivers and seas.

What are the seas made of?
Water and waves, salt and sand;
sand that goes between your toes,
salt that gets in your mouth and nose,
waves that wash on the beach and rocks,
water that gets in your shoes and socks.

What is the water made of?
Rain and rivers that run to the sea
for fishes to swim in like you and me,
for crabs that creep and gulls that cry
and creatures that never see the sky.

But still I wonder, now and again,
the water that comes in the rivers and rain,
that runs in the gutter and down the drain,
that splashes in brooks with a tinkling refrain,
and flows to the sea in the sunshine again –
what is it made of?

Tiny atoms too small to see
build all the world and all the sea.
They make the clouds that float in the sky,
and little children that wonder why.

Show me the atoms I cannot see.
What are they made from?
Where can they be?

Sticks and stones may break your bones,
bricks and beams may build your dreams,
but words, words…
Can one Word build a uni-verse?
a uni-world from a uni-Word?

Show me the atoms I cannot see,
Of what are they made?
Where can they be?
The sea is made of waves.
The waves are made of sea.

And the particles, the particles,
the tiny, tiny particles,
are each the focus of a wave
wider than the widest sea
that stretches through all infinity
and shimmering, makes you and me
and all we feel and all we see:
a universal harmony.

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Mass & Energy

Shimmer, glimmer, shine,
when the sunlight shivers in heat,
and mirage pools flash reflected sky
on the tarmac road ahead.

Shimmer, glimmer, shake,
when the waving ears of wheat
roll like the sea in a summer swell
in field on field outspread.

Shimmer, glimmer, gleam,
when the stars in a milk-white sheet
shine down upon this darkling world
on which their light is shed.

And the shimmering waves that are here and there
in the atom’s uncertain heart,
reach to the ends of the universe
of which they are a part.

The energy of the universe
is bound in the shimmer and shine
of the speed of light, times the speed of light,
times the mass of the heavenly wine
that is drunk anew in the toast of love
that is His, and yours, and mine.

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Hazelnut Forest revisited

In March I wrote a puzzle poem Hazelnut Forest, its title an equation,
λ = 2πħ/p
so here is, as I said would be, the promised explanation.

The forest is the universe when the Word made all things new,
and the Spirit found the first conditions good and proving true.
Its leaves, the smallest particles of which the world is made,
the calling birds swift flying in the dappled light and shade,
are photons that were called to be when light was first displayed.

Its title is a formula,
a particle’s waveform,
for everything is energy,
and particles just seem to be
the focus of a mystery,
the fine eye of the storm.

Another poem followed that wondered at the size
of the forest (or the world) as seen by wiser eyes.

How small the forest? We really cannot see.
We cannot give position, speed, time or volition;
to what is all around us, a truly strange admission.
As size get small and smaller, in the atoms heart and less,
in proton, quark or photon, and spacetime’s emptiness,
there is a finite limit bound in uncertainty.
How small is the forest? It’s just too small to see,
for in that finite limit is all infinity.

Men like Werner Heisenberg,
Max Planck and de Broglie,
worked out the math, and many more
have worked at detail and for sure,
where you and I give up and snore,
they plucked cherries from the tree.

A Circle With a Volume, I recall,
the last and strangest poem of them all,
came from Planck’s discovery
that length, like time, just cannot be reduced
infinitesimally small.
No matter what dimensions that we tell,
the smallest there can be, that we call Planck’s Length, L,
gives structure to the rest. There is no spell
that lets us cut fine finer till there’s nothing there at all.

The smallest, fundamental space,
the smallest, fundamental time,
are bound with that uncertainty
that binds the forest leaves.

Centre to edge is less than width,
the wheel’s centre to its rim,
your nose to your ear,
less than the wheel’s width,
less than ear to ear.

But the width of a fundamental
is the smallest distance possible .
Where can its centre be?
How far from its edge?

W. B. Yeats’ troubled poem The Second Coming that I quoted in this poem sums the uncertainty and the resulting fragility astonishingly aptly:

Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,

From the inbuilt uncertainty of this fundamental seed, spacetime burst in an instant, followed by an immense expansion phase.
From fundamental to universal in microseconds.

This volume, this conundrum,
too veiled for us to see,
a mystery its diameter,
its radius an enigma,
the Sybil of Cumae,
time in eternity.

Ah! The Sybil of Cumae! Who was she?
Tis said she asked Apollo, who wanted her to wife,
that she might have, though mortal, as many years of life
as the grains of sand held in her hand.

False promises were made and when her wish was gained
her favours were withdrawn – Apollo raged.
Trapped through the years, her body aged;
kept shrinking in a jar ’til just her voice remained.

And why a hazelnut forest? In the mid-fourteenth century, following a vision, Dame Julian of Norwich compared all creation to a hazelnut held in God’s hand.
Such a tiny thing, encompassing all creation, shown her by God in a series of visions in which she saw the depth and greatness of His love for all mankind.